Thursday, March 31, 2011

Sample Of Career Aspiration

" Antonio Machado in Baeza, BY JOHN Pasquau



- He lived here in a house opposite the Old Jail building, now city \u200b\u200bcouncil has told me a respectable lady in mourning. I knew him. We saw it happen with long black suit, stained. And never left the umbrella ... even if it were the sun. He lived with his mother. I also met his mother. In the evenings, Antonio went to the gathering of the shop for oil. True that when your mood is gloomy, he seemed isolated through the windows of the cafe "La Perla", delivered to their loneliness. He had a sad smile, as absent then. But when he met with his cronies in the back room, saying that his face was different and wasted much ingenuity.
- What was said in Baeza Machado?

- No one took up too much of him. If we had known that then would be so famous ... When you put "rare" went without company, Úbeda road ahead. Úbeda is ten kilometers of Baeza. Many came to Ubeda afternoon walk. Drinking coffee and came up.

- How long were you in Baeza?

- The Institute was a professor of French. Be here about five years.

- came in 1912 ...

- The day first came a report that was submitted to the director of the Institute to his home. The maid who came to hear him open the door, Mr. director is in "agony." Machado turned pale. But the director was in a casino, who was nicknamed "The Agony" because its components, almost all farmers, spent their time predicting ruined by poor harvests and lack of rain.

was the November 1, 1912 when Antonio Machado took up his professorship of French Language at the Institute of Baeza. Most recently widowed. Was thirty-seven years. Baeza elected in the contest of the movement. Surely he wanted to return to Andalusia, to find the "love of the land" away and the love of his wife dead. And so ...

that why? Poor Antonio. Let us hear him:

Behold now, Professor
of modern languages \u200b\u200b
(yesterday gay teacher-knowledge,
apprentice nightingale)
in a damp village cold
ramshackle and dark,
between Andalusia and La Mancha.

In the bottom of a darkened room, with perhaps a round table are Don Andres, Don José, Don Juan, Don Antonio ... "Don Antonio?

Volvámosle to listen:

is night. It talks
the back of a drugstore:
"I do not know, Jose,
how are the liberals
as dogs, as immoral.
- Oh, relax you!
After the carnival,
conservatives come
good stewards
from home.
That's life, Don Juan.
"True, that's life.
"The barley is grown.
"With these rains ...
And they beans that is a beauty.
"Certainly, pear blossom in March.
But the frost, ice ...

Baeza, "poor lady", is a city of flourishing under whose skin now see clearly the hunches of history. Baeza, in her womb, is defeated passion, passion warning, however, the battlements of a toothless glory. "Nido Real de Gavilanes" was called in the time of the Reconquista. Now his excellence is perpetuated in clots impressive. Its monuments are just that; custody in which holds the blood, beautiful and dead, past, from which radiates the breath stopped, embalmed, embalmed, of all the yesterdays. Near the Plaza de la Catedral-sigh lyrical lung in which the city opens to the nostalgia-loving is the Institute, former University, the first patron was Blessed John of Avila and the classrooms to explain San Juan de la Cruz ... What do you think Antonio Machado, a professor of French language, each morning, leaving after their lessons, classes and addressed the Institute with the appearance of the city?

In his autobiographical notes reads: "I moved to Baeza, where I reside today. My hobbies are walking and reading. " Walk and read ... Good program. Wandering slowly through the streets, alleys and squares of the city anchored, aground. Then his eyes widen in the fields of olive ubérrimos, leave your pupil-bee-sucking go subtly poetic material in bright prospects of the Guadalquivir valley, let shock after the blue background of mountains

Cazorla has snow
and Mágina, storm his veranda,
Aznaitín. To Granada, sunny hills,
mountains of sun and stone.

Antonio Machado bypasses Baeza. No passes, crosses. It makes your journey is imbued with the breath of the land ahead of Jaén, far yet, alas, their land Seville; further Soria land that lies in timeless sleep, the body of Eleanor. Walk, and the soul of the city, little by little, intimate with the poet's soul. Do not have, Baeza and poet, a single, friendly. painful longing, the same obsession? A Baeza Machado and it hurts inside time is gone. The poet and the city saved, deep, an empty identical. In the depths of the soul of Baeza is a hollow-shell resonance immortal-brother of hollow heart of Machado. So, to get rid of suggestion perhaps melancholy, the teacher-poet 'leak' each afternoon to the landscape, looking for the "ways in the afternoon '


The white trails
cross and away
looking disparate
villages of the valley and the mountains.
Highway fields ...

in vain. In vain because the lead followed by any alacrity Abbe pain of the eye, any flight of his thought:

Road in the afternoon ...
Oh, I can not walk with her!

walk and read. Because after the journey of every day, is bitter reflection each night. Machado, in his books, their roles. Machado, in his ideas, including his memories. In the periphery, their experiences y. .. inside his cave. Does your fault that time the poet does not find clear, for supreme comfort, God? But God must have his time fault, you lose "in the fog." He says ... So, Antonio, lost in the maze, find the Ariadne's thread of philosophy. And the thread is tangled. In Baeza, Antonio wants to shore up the building of his verses weightless, with buttresses more or less logical. Arises "Juan de Mairena", writer-poet of "The Sun." Fencing Antonio, Kant, Bergson, Plato. Meanwhile, deep, his pain and forward inalienable

On my desk, "The data
of consciousness, immediate."
Not bad this self fundamental
quota-free, sometimes
creative, original that I
who lives and feels within
mortal flesh, alas,
eager to jump
the walls of its pen.

- I repeat my good lady, "I knew him in mourning. We saw it happen with long black suit, stained. Never left the umbrella ... I had a sad smile, as absent ...
JUAN Pasquau
ABC, April 17, 1959.
Antonio Chicharro In, ed., Baeza Antonio Machado and through critical Baeza, UNIA, 2009, 3 rd edition.

Tuesday, March 29, 2011

I Heard There's A Cure For Genital Herpes

LOGO PRESENTATION AND POSTERS OF "ANTONIO MACHADO AND BAEZA. 1912-2012. ONE HUNDRED YEARS OF A MEETING "

Last Thursday was held in Baeza presentation to the press of the logo and poster of the cultural event and Baeza Antonio Machado, 1912-2012. One Hundred Years of an encounter. The event was attended the Committee appointed by the city of Baeza and Leocadio Marín, mayor of the city.


The year 2012 marks the centenary of the arrival of the poet Antonio Machado in Baeza Seville or, which is the same, one hundred years of his return to Andalusia after his family stay in Madrid, your trip to Paris and his years teaching at the Institute of Soria. Given the importance of the poet's stay was for poetry and English culture, this conventional circumstances should be a celebration of culture and opportunity of knowledge, recognition and celebration of the poet and his tireless work as well stay for Antonio Machado in Baeza resulted in him one of the most prolific and profound periods of his literary activity and thought. To do this, the Sectoral Council for the centennial celebration, appointed by the city of Baeza in plenary on 29 October 2009, has decided to schedule a series of activities to commemorate this event, and have adopted a logo and poster with to promote ownership of it and make themselves known to the public so that these advertising tools will help the citizens of Baeza, in the first place, and the rest of Spain, in addition to countless readers as the poet may have different parts of the world, recognize this celebration and make it their own.

Introduction and brief explanation of the centennial logo

The logo, while the hallmark and promise and sign verbal-visual aesthetic and functional high-level and high profile, wants to be the element chart that identifies the unique institution of the Centenary Meeting of Antonio Machado and Baeza, so clearly includes symbols related to what it represents. In our case:

Antonio Machado "Baeza " the centenary of his meeting
The logo, which the designer is the author of Granada Rafael Simon , get a very elegant synthesis between Machado, Baeza and the centenary of the merger of three symbolic elements: the two zeros, the "M" of Machado and Patio Renaissance arches of the former University of Baeza, the headquarters of the Institute " Holy Trinity "to which our poet came as Professor in November 1912, one of the great symbols architectural Baeza. Furthermore, unlike the current trend of logos "soft" on the basis of spots, lines and striking colors, it brings rigor and sobriety Machado, with just the right touch of color to evoke the stalls Baeza.
And finally, when done the centennial, the "M" arch "alone, without the" 1 " , wants to serve as independent logo of "Machado in Baeza, replacing the dates of the centenary of his stay in Baeza, that is, by" 1912 -1919 " .

Introduction and brief explanation of the first centennial poster

Although the Sectoral Council will promote the creation of different posters with poems of Antonio Machado along of the Centennial celebration, the poster is presented to provoke him to see a fair evocation of time of the meeting that occurs between the poet and the city, since that meeting was, and is in fact consequences of various signs, poetic and not poetry, for both sides found. Therefore, c omo it is the commemoration of a meeting, the designer, Rafael Simon, worked from the idea of \u200b\u200bthe first sighting of Baeza by Machado (so you placed the horizon at eye level), resolved by a double game silhouette. This is an image with a certain degree of abstraction that makes it more durable and sober, sobriety is very characteristic of the figure and the poetry of Antonio Machado. On the other hand, wanted to recognize both silhouettes with some clarity the two key elements of the centenary to be held: first, the poet Antonio Machado, who comes to town at the age of 37 years, and, another, the city of Baeza whose identification is urban forever linked with the silhouettes of their noble buildings and, in particular, with the towers of the cathedral and the Capilla de San Juan Evangelista, so linked it to the learning center where professed Antonio Machado. As for the colors are concerned, wanted the color of the silhouette of Baeza - the color of their Renaissance stalls also present in the logo - out that had the light against dark color which presents the poet, somehow symbolizing the state of spirit that came to town after losing his young wife, death triggered his departure from Soria and his arrival in Baeza.

opening and closing dates of the Centenary and advancement of activities

activities will be developed from 22 February to 1 November 2012, coinciding LXXIII with the anniversary of the death of Antonio Machado and the centenary of his arrival in Baeza.
The opening ceremony will be held this February 22, 2012, the day he was inaugurated the Temporary Exhibition Antonio Machado and Baeza: History, Culture, Arts and Literature , exposure has been appointed Commissioner Jose Luis Chicharro Chamorro, former director of the Provincial Museum of Jaen and member of Giennenses Studies Institute, and professor of Institute where he professed Antonio Machado.
The official closing date will coincide with the centenary exact, that is, with the November 1, 2012 and with the conclusion of the International Congress on Antonio Machado and Andalusia, to be held at the Antonio Machado International University of Andalusia.
These two major activities are accompanied by others that will taking place throughout the centennial year, coinciding with each month of the same. For example, the Sectoral Council has agreed to promote:
- Short Film Contest for Young Directors "Antonio Machado and Baeza"
- No voice is mine. Youth Poetry Gathering
- Days Homenaje a Antonio Machado de Baeza Writers and Poets
- Days Tribute to the poet Antonio Machado awarded the International Prize for Poetry Antonio Machado in Baeza.
- Promotion Activities related to the Centennial Center Education and Culture of Andalusia
- recitals, lectures, panel discussions, musical and theatrical performances, etc.. Baeza both in other parts of Andalusia.
- Ediciones del Centenario.

Sunday, March 27, 2011

Wild Boar Butcher Sydney

BAEZA, with males FUND (DOCUMENTARY 1983)

PROGRAM SERIES TVE "SPAIN NOT GOING AWAY" IN 1983 DEVOTED TO BAEZA (CLICK ON THIS LINK TO SEE THE FILM )

Friday, March 25, 2011

Kates Playground High Heels Galleries

DANCES IN THE EUROPEAN COURTS IN THE RENACIMIENTO.SYNTAGMA Musicum. Ubeda and Baeza

Sunday, March 13, 2011

A Star Is Born Baby Shower Template

STUDIES ON SAN JUAN DE LA CRUZ IN THE 'BULLETIN OF THE INSTITUTE OF STUDIES Jaén '


Chamorro Lozano, José, "The landscape of Andalusia in the work of San Juan de la Cruz", Bulletin of the Institute of Giennenses, 34 (1962), 9-46 .

Chicharro Damaso, "San Juan de la Cruz García Morente seen (about two centuries)," Bulletin Giennenses Studies Institute, 142 (1990), 237-252.

Chicharro Damaso, "The Institute for Studies and Giennenses literature: Basis for an interactive projection, Bulletin of the Institute of Giennenses, 181 (2002), 295-324.

Melgares Raya, José, "Apostolic Process of San Juan de la Cruz", Bulletin of the Institute of Giennenses, 180 (2002), 419-435.

Mendizabal, Federico, "poetic Itinerary San Juan de la Cruz in the province of Jaén, Bulletin of the Institute of Giennenses, 11 (1957), 59-100.

Molina Prieto, Andrew, "Historical study on the manuscript Jaén Spiritual Canticle of Bulletin of the Institute of Giennenses, 76 (1973), 7-178. and Christology of the stanza XI "

Montijano Chica, Juan," The apostolic process for the beatification of San Juan de la Cruz, existing in the Cathedral of Jaén " Research Institute Bulletin Giennenses, 30 (1961), 9-22.

Morales Borrero, Manuel, "An unknown witness to the authenticity of the songs from the soul of San Juan de la Cruz", Bulletin of the Institute of Giennenses, 149 (1993), 197-214.


Wednesday, March 9, 2011

Whats The Point Of A Speed Bag

GUEST SIGNATURE: CZECH LETTUCE ANTONIO JOSE ANTONIO MARTINEZ SOLER

FOUR SONNETS A Imilce, by A. Czech


            HIMILCE


                                   It is guarded by Himilco leones:
; up, quiet, slender y admired
; only the stone in you, has purple
, and a sleep history, are your gifts.

; In each morning, without exception,
thy sphinx is leaning blush,
to the Florilegium, which fenced
chains are fringes of illusions.

; This will be of stone and be history,
, makes the time you despair
; and take the passenger in his memory.

, But you, unspoiled and beautiful, nothing hurt,
viewpoint of pigeons in your glory
and the view of watching you adhere.

; ; II

They are so poor your water jumping,
; mouth raised slightly by thread
; that sound like a source at all times
; you armed with stone from the rocks.

; wires while storing up water,
; dreams of being a stream, invoke acute,
lost that gift by which beg for
; other notes to be very little water.

, But the stone, oh face, at last, intact
postponed due to the decline and spent
; wasted between Place your beauty,

; you are rite the rite for the event,
, where time stands still idolized
and sing the mysteries of Baeza.
                                                 III

is, by novels and music
replicates all the time in which nests
the patina on the stone held
where history looms on emotions.


Goddess stone, bathed in illusions
; Square harmonizing life
treasures you and takes you on light shed
while otherwise keeping a thousand passions.

, Today, I sing, my ward coupling
and I came to the stone, look to the sky,
, and the flight of a goldfinch me shade.

; In your circle, your circle outlines
; A woman left to the zeal
; The tic, tac, female, named me ..
                                                 IV
                             
                              Oh, if that light in long hand
, sits on the time and places
a look at the water and raises and
, a harmonized and never vain kiss

leave me to live on that
already happened, when my mouth was boiling
and on my lips the life consumed
, blood dissolved in it died.

; If the value of time take us
to step immortal, the kiss taken
; to rest and lips that they loved,

: the stone, that your silence is declared
and the infinite faces the sun burnished
eyes clouded over in silence.


Himilce en la Fuente de los Leones de Baeza. Fotografía de César Atanes
                              

Tuesday, March 8, 2011

Free Digital Playground'

"BY MACHADO, Ground WE SPOKE"



For Machado us

ground with sticks in the dictatorship (the 20-F-1966), a tribute to Machado in Baeza became a pitched battle. The historian Gabriel Jackson has inspired me to, and somewhat anecdotal, tell them what happened to us 45 years ago today, wanting to pay tribute to Don Antonio Machado.


Bust Machado, Pablo Serrano's work in 1966, he traveled to Baeza hidden in a Citroen "two horses" of the architect Fernando Ramón.

At Christmas 1965, I had not met the 19 years, was CEO of Architecture course, prone to getting into trouble and possibly still was not " signed" by the Police . Perhaps for the latter, was captured by some colleagues Santa Maria College Europe (the SEU , although they were quite red) who gave me a lot of ballots for a raffle, I should sell very carefully to " trustworthy people" for a reasonable price. Money raised
was destined for a charitable cause and as I learned later, quite risky. We tried to erode the Dictatorship (which "was about to fall," I said ) peacefully demanding a great poet who was not exactly the taste of the dictator.
Manuel Fraga Iribarne
(founder and honorary president of the PP ) was then Minister of Information and Tourism Franco, preparing a press law openness and boasted that the regime promised cial leeway on freedom of expression to make a good impression abroad.
was time "to put Franco's dictatorship against its contradictions internal ", telling me who I lent the books banned had never seen me in the library Almeria La Salle (" Fundamentals of Philosophy "by Politzer," Do's "Lenin," On 18 Brumaire "of Karl Marx, etc.). .


historian Gabriel Jackson and a server holding a poster of Miró (1966) to take a picture this afternoon in the garden of my house.

Players The raffle opted to play pretty poor Picasso's Guernica , a book entitled "The second resistance " (can not remember the author, although it would be a pseudonym of the Iberian Turn ) and, most importantly for me, a wonderful record (a LP or Long Play) with Miró poster on the cover and the best poems recorded Machado (free, of course) none other than Fernando Fernan Gomez, Fernando Rey and Paco Rabal , who cast him courage to do so because their voices were easily recognizable.
I did not win any prize in raffle but for services rendered, Jesus Vicente Chamorro , a member of the organizing committee of what we called peacefully "Walking with Antonio Machado" (and who was brother of Enrique Carbajosa my room neighbor) gave me disk.
I almost memorized it and saved it as gold cloth until it disappeared in one of the many changes that I made to University of Barcelona, \u200b\u200bthe Harvard University or New York.
wish I could find a copy so that my kids could listen with delight those poems that made me goose bumps and my eyes moistened. (If someone finds it tell me please) .
The cover of the LP is the work done Joan Miró (also free) to help tribute to Machado.


Poster by Joan Miro for the tribute to Machado in Baeza (Jaen) on February 20, 1966.

recently found this poster, when I dared to order the papers from my sister, who died in tragic accident three years ago. I was thrilled that both the memory of their wrinkles ironed poster 45, I put a frame and hung it in place of honor in my driveway.
Gabriel Jackson, who is spending a few days at home with us (thanks to Congress Joaquín Costa and the documentary he made with Angel Viñas entitled "Citizen Negrin" , which was nominated for an Goya ) noticed yesterday in the poster looked and asked about its meaning. Before such provocation, I had no choice but to tell this story, and verse, during the breakfast.
The teacher praised me with your attention and your service for written documents the author of "The English Republic and Civil War" (1965), "Civilization and Barbarism" , "Mozart " , "The Medieval Spain," Juan Negrin ", etc., etc., I said these things have to count them and record them to not forget what was the dictatorship of Franco . Especially now that part of the vindication of the right is the dictator, who was a cruel and ruthless murderer, and I want to present almost like a nice guy.
as the recent peaceful demonstrations of the Egyptians in Cairo (we see today with envy retrospective) was unthinkable in Spain of Franco. There was no freedom of expression and of assembly or demonstration.
course, in those sixties had many manifestations (gifted students) but violently dissolved (with a lot of injuries and arrests) and unceremoniously. Of Baeza was one of them. The " grisis " of Franco, nightstick in hand, and from various provinces of Andalusia, prevented us to place the bronze head of the Andalusian poet / soriano on the monument we had planned for it in a high and precious Baeza (Jaen ) overlooking the valley.


Admirers Machado (a "secular saint", says today the country as a page. 34) are preregrinando to his grave in France. (Photo by Consuelo Bautista)

I was then a mindundi (more than now) and had only partial information of what we were up to, with enough secrecy, on the eve and the 27 anuiversario of the poet's death in exile. For So maybe, I was so surprised how the events unfolded that story now, as my memory allows, as selective as all.
Everything was done as illegal as if it were the dream of democratic union of students (later called the SDEUM ).
Major devoted to me, as a manager, link or something, one of the buses that would take us from Madrid Baeza to the roads then. It was the prize for selling the raffle so many ballots, I think.
Leaving Madrid , well wrapped and a tad scary in the body, on February 19 night. Shortly before dawn on Feb. 20, 1966, we were already entering the valley from which peered up there around the top, which may be blurred and even dark silhouette of the imposing city of Baeza , who welcomed Don Antonio Machado as a French teacher. We were
happy as a lark, after giving some heads, and we woke up with a tingle of excitement, to be closer to the place of honor without having suffered any accidents or police policy. We knew things down and / or freak out fear - why not! - Singing. Then he said:
"When the English singing, is screwed up or something happens"
rigor republican songs (" Ay Carmela!", "If the priests and nuns know ..." , "When the rooster crows black ..." etc, etc.) sounded, haphazardly, in this oasis of freedom on wheels, on the bus full of men and women, some Democrats, some even supporters of the dictatorship of the proletariat All antifrancoist excited, enraptured by the adrenaline of danger, of all ages and social classes, with duffel thick unkempt beard and long hair, but also respectable bald learned intellectuals and artists, armed with long scarves and coats of posh.
reminded me of school trips La Salle, of course with other pious songs ("Let's count lies," "Oh, sweet Jesus," "Snowy Mountains". "To be a front-driver ", etc.). ... and of course approved by the " Franco's side. "
Our driver also had to be in on it, but I had it all for when raged the songs "Republican side, I looked askance and shook his head as if to say: " These people do not know where gets. "
We knew, in effect, (well he knew!) To make a change of gradient curve. Waiting for us at dawn, a car of the Civil Guard (could be a Jeep or something). The numbers, with cocked hat, long cloak submachine mountain were not exactly those of Traffic . We were stopped and, as instructed, dry bus stop and opened the door. Asked who was the leader of the expedition. Instinctively, inadvertently, the driver gave me away at me.
I was sitting in the front row, near the driver. I told the guards with my best little voice of former congregant Mary or Little Red Riding Hood, yes, Red, that there was no head and just went on a trip to Baeza.
- "With that Baeza, huh?" , I blurted out, somewhat sarcastic tone, which seemed to be head of the guards. "We have clear-cut orders to go to Baeza that can only pass the vehicle with the driver. So we can now turn and go to where they came. "
a moment I asked to speak with the "passengers", I went to the bus and half agreed that it would be best to get off, to leave the bus and wait for the next bus that came from Madrid, and other parts of Spain, to see what we did. So we did. The bus went to Baeza with the driver on board and nobody else.
Jo! How cold it was in that valley, a few kilometers from Baeza, at dawn of day, February 20, 1966!
Without anyone saying anything, and without the protection of the bus, start walking slowly, spontaneously, as he who gives bread crumbs to pigeons, by the side of the road and cross country when she had curves. The civil guards did not tell us nothing. Meet specific orders: vehicles move only with the driver . He obviously does not have clear instructions for the case that the "passengers" on the bus were to follow the walking path.


Letters and articles in the mailbox of Antonio Machado. (Photo by C. Baptist in El País)

In the middle of the field, a prankster Machadian made us laugh, with a nervous laugh, of course, when he said:
- "is made by walking ..."
It took a couple of hours to reach walk to Plaza de Baeza. I will never forget the thrill that gave me sight, while climbing a hill and look back, hundreds of people, in groups of "bus" and in single file, walking toward Baeza from North, East and West. The South was behind the city and the east, and we heated the Sun .
We hugged. We were not alone and lost in this adventure politics / poetics. "Caminante no hay camino " already, but here they are seen making their way to tomorrow. "It is now Monday morning that" , I remember a few verses of the good Don Antonio . I can not express how exciting it was to see that, without cell phones or carrier pigeons, others had decided to walk like us.
Upon reaching the place we find a hundred or two people (not very well calculated eye). There are, triumphantly, several members of the Organizing Committee of "Walking with Antonio Machado. "
- "come over" , they said, "many more, and here there is no sign of police or the Guardia Civil" .
One told me, with joy, how amazing it was the evening of the eve on the steps of Parador de Ubeda , where they stopped the wealthy and were in your own car the day before. There was even Raimon singing " Al vent, face to vent" . Incredible, yes, but the police not stupid. Go butts and says "Tate, here smoked."
Perhaps, by that party before, someone of unwavering loyalty to the regime gave notice to the Civil Governor of Jaén , breaking the alleged secret of our project. Although I believe the Police knew everything from the day before the drawing. To attract passersby with Machado had organized poetry evenings in the university halls of roundtables that involved anything suspicious characters as Franco Aurora de Albornoz, Félix Grande, etc.
But
Franco is seen that the scandals did not want the foreign press and tried to devalue fine tribute to Machado preventing Baeza reach the busloads of "red." They were surprised, however, that so many people come foot. Did not expect.
After half an hour, and when we started to walk quietly through which one day be called "Paseo de Antonio Machado ", they told us they were coming to Baeza many buses as gray as the coats the police tough Franco. Before
to reach the monument, where we should deposit the bronze bust of the poet, we expected a megaphone home captain, commanding a lot of "gray." We were stopped raising his hand and shouting. The youngest, arm in arm, we immediately in front and the elderly behind.
Grays boss gave the order to sound disolvieramos us three times the whistle. One of the organizers tried unsuccessfully to parley with the captain. This insisted
"On three, if not dissolve immediately, give the order to charge."
And it was. Boy, was! We ground to a pulp. We put up a little, not much, with our backs and aching legs, but at the end, the civic procession / poetic career was dissolved in disorder on the streets of Baeza. What a beating!.
Hubos wounded and arrested. I do not caught or because they signed me providential car stopped in the middle of the street, opened the door and literally threw me over his knees three or four passengers were crammed into the back seat. Then they told me that in that same car, was someone important in the clandestine opposition to Franco. But I do not remember his name.
If the driver of that car were to read this, I want you to know that I am eternally grateful. My record was clean and continue the struggle against dictatorship more effectively than if I had been arrested and / or signed.
That would come years later, the dictator had recently died, when I was kidnapped and tortured machine gun tip. And with worse manners, of course, that the gray. You bet.

Monday, March 7, 2011

Brazilain Wax Recovery

BAEZA, HERITAGE RULES

Saturday, March 5, 2011

25 Anniversary Bengali Card Wording

XV International Poetry Prize "Antonio Machado in Baeza"



XV International Poetry Prize
Antonio Machado in Baeza


In the city of Baeza, where he was a professor, the poet Antonio Machado, your Excellency. City Council convened under the patronage of the Provincial Council and the Ministry of Culture of the Junta de Andalucía, the International Poetry Prize, which may participate who adhere to the following

BASES

1 .- should submit their works written in Castilian. Works must be unpublished y no premiadas en otros certámenes o concursos, ni parcialmente publicadas en libro, revista u otro soporte o medio. Esta premisa estará vigente hasta el momento del fallo, quedando obligados quienes participen a comunicar a la organización cualquier cambio o circunstancia que se haya producido con respecto a la obra presentada. En todo caso, una obra que haya resultado previamente premiada en otros concursos o premios, quedará automáticamente descalificada.

2ª.-Las obras serán en verso, de tema libre y con la extensión habitual en los libros de poesía, (de 500 a 700 versos o líneas) impresas o mecanografiadas en formato DIN A-4 a doble espacio y por una sola cara, debidamente sewn or stapled.

3 .- The originals will be submitted in quadruplicate, under a pseudonym or motto, unsigned. Be included in a sealed envelope attached data of the author, a brief bio-bibliographical, address, telephone and photocopy of identity document (ID card or passport) outside the envelope must bear the title or slogan of the work presented.

4 .- The call will be open from February 22 (the anniversary of the poet's death) until the day May 31, 2011, the original may be delivered personally or send them through courier or registered mail to the following address: Department of Culture, Hon. Ayuntamiento de Baeza, Calle Alhambra Cipriano, 18. 23440 Baeza (Jaén), clearly indicating on the envelope for the XV International Poetry Prize "Antonio Machado in Baeza. (Excluding those papers submitted at a later date, considered as a valid postmark)

5 .- The jury will consist of five persons of recognized standing in the field of literature, and a secretary, with voice but without vote. The composition of the jury will be made public at the time of award of the prize.

6 .- The jury will act with complete freedom and discretion, and shall also have the normal ability to deliver and failure to discern the award, or unsuccessful, to interpret the Rules. Its decisions are final.

7 .- The award, which may not be shared, will be equipped with:

• Six thousand euros (6,000.00 euros), contributed by the Diputación Provincial de Jaén (4250.00 Euros) and the Hon. City of Baeza (1750.00 Euros). These amounts will apply current tax deductions.

• The publication of the winning book in the Hyperion Publishing (sponsored by the Hon. Ayuntamiento de Baeza and the Ministry of Culture of the Junta de Andalucía).

• A bronze trophy (donated by the School of Arts Becerra Gaspar de Baeza), the work of Professor Antonio Perez Almahano.

• The delivery of fifty copies of the book published. It is understood that the prize money is up to the copyright in the first edition.

8 .- The non-winning original will be destroyed once the award, thus preserving the anonymity of their authors.

9 .- The ruling was made public in September 2011, being communicated to the author personally by the President of the Jury. The delivery of the XV International Poetry Prize and the presentation of the winning book will be held in November 2011. The attendance of the person awarded, the prize-giving ceremony will be an essential requirement for receiving it.

10 .- The fact attend this award means who were present accepted all these bases.

Baeza, February 2011.

Thursday, March 3, 2011

What Was Tonights Lottery Numbers

ON' THE CRY BAEZA ' E 'IDEA NEW' PRESS REPUBLICAN

The two heads of the press are studied by Santiago Baeza Jáen Mile in his article "newspaper sources for the study of republicanism in the province of Jaén (1868-1931) "(Codex , 19), text that the reader can access the following link:

http://www.revistacodice.es/codice19/jaen_milla.pdf